Jump to content

a7rii EFCS and Canon+adap​ter lenses: Work ok? Manual seems to indicates "no".


l_d_allan
 Share

Recommended Posts

From the a7rii's full owners manual, topic 172:

 

1. MENU → (Custom Settings) → [e-Front Curtain Shut.] → desired setting.

 

Note:

When a lens made by another manufacturer (including a Minolta/Konica-Minolta lens) is used, set this function to [Off]. If you set this function to [On], the correct exposure will not be set or the image brightness will be uneven.

 

This seems to indicate that with a non-Sony lens (such as Canon + adapter), the Front Curtain Shutter may not operate correctly.

 

This Sony newbie has the understanding that "shutter shock" is greatly reduced or eliminated with EFSC (electronic first curtain shutter). I'm expecting to be able to use my Canon EF lenses with a FotodioX adapter on my pre-ordered a7rii and have little or no "shutter shock" issues. Are my expectations unrealistic?

 

Are EFCS and "electronic front curtain" different?

 

I'm mostly ignorant on how Sony cameras work. I wouldn't think the way the shutter operates would depend on what lens was attached, but what do I know?

 

Have new owners with delivered a7rii & Canon lenses found "shutter shock" to be a non-issue? Is so, what settings are appropriate?

Link to post
Share on other sites

Quite weird. Probably it gets fixed in future firmware.

Well, the EFCS goes on sensor and mechanical curtains are placed IN DIFFERENT PLANES. Therefore, at very quick shutterspeeds you might notice problems with it (bokeh with vertical gradient) , and it's dependant on exit pupil position. Maybe camera wants to know exit pupil position (which is not available for non-Sony lenses) to properly synchronize EFCS and physical curtain. But it would affect only fast shutterspeeds. I have no idea.

Link to post
Share on other sites

From the a7rii's full owners manual, topic 172:

 

1. MENU → (Custom Settings) → [e-Front Curtain Shut.] → desired setting.

 

Note:

When a lens made by another manufacturer (including a Minolta/Konica-Minolta lens) is used, set this function to [Off]. If you set this function to [On], the correct exposure will not be set or the image brightness will be uneven.

 

This seems to indicate that with a non-Sony lens (such as Canon + adapter), the Front Curtain Shutter may not operate correctly.

 

This Sony newbie has the understanding that "shutter shock" is greatly reduced or eliminated with EFSC (electronic first curtain shutter). I'm expecting to be able to use my Canon EF lenses with a FotodioX adapter on my pre-ordered a7rii and have little or no "shutter shock" issues. Are my expectations unrealistic?

 

Are EFCS and "electronic front curtain" different?

 

I'm mostly ignorant on how Sony cameras work. I wouldn't think the way the shutter operates would depend on what lens was attached, but what do I know?

 

Have new owners with delivered a7rii & Canon lenses found "shutter shock" to be a non-issue? Is so, what settings are appropriate?

 

My response from FM, to what I assume was a copy of this same question, if not from the same poster.

 

"Here's the deal with that.. In a lot of camera systems, when you're just walking around with a native lens, it sets itself to wide-open for your preview. That's why the DOF button was on most SLR cameras. When you use EFCS, it's timed for a lens that will close down the aperture only when you activate the shutter.
 
When you use MF / legacy glass, you're adjusting the aperture manually anyway, which means it's already stopped down when you take the image, so there's no issue there.
 
The question comes in to play with Canon lenses where aperture is set electronically. Since the a7, A7ii and A7s all have EFCS and we haven't seen this be a big problem, I imagine the smart Canon adapters are communicating correctly with the camera body, so I don't expect this to be an issue here.
 
Anyway, worst case scenario where you notice consistent improper exposure, you turn EFCS off. The a7rII features not only EFCS but a dampened shuttered activation, which I imagine they implemented for scenarios such as this.
 
In the worst-case scenario, shutter shock (if even present) should be far less in severity than the original a7r."
Link to post
Share on other sites

....I was using an adapted Minolta lens this weekend with EFCS "on".....three out of approx 80 images had a "dark edge" such as when your flash sync being off will give you a dark edge.  I turned EFCS off and have not had the issue....exposures seem to be more even as well.  I use many different adapted lenses on my A7s, and have the Sony 35 as well....

Link to post
Share on other sites

....I was using an adapted Minolta lens this weekend with EFCS "on".....three out of approx 80 images had a "dark edge" such as when your flash sync being off will give you a dark edge.  I turned EFCS off and have not had the issue....exposures seem to be more even as well.  I use many different adapted lenses on my A7s, and have the Sony 35 as well....

 

Yep, this is the reason they put it in the manual. You might see it on wider lenses, at fast shutter speeds.. It's not often, but it can happen.. like your example, 3 out of every 80 images, and it depends on the lens and shutter speed. This is not an a7rii issue though, it's an EFCS issue, and can be seen on the a7, a7ii, a7s, a77, etc..

Link to post
Share on other sites

If a dark edge is mostly provoked by fast shutter times

and by wide angle lenses, presumably even more likely

when those two are combined, then it seemslike a real

non-issue ... other than remembering to turn EFC off.

 

Shutter shock is mainly a problem with longer lenses

as well as with "beanbag" shutter speeds [just a bit

slow, but not reeeeally slow]. IOW, a wide angle at a

fast shutter speed shouldn't need any "help" from EFC.

 

`

Link to post
Share on other sites

Yep, this is the reason they put it in the manual.

Thanks for your replies, and I definitely hope my alarmist concerns are unfounded.

 

I did re-read Topic 172, and was again bummed that the manual is so blunt and unequivocal about using the words "will" rather than "may" or "could":

> "the correct exposure will not be set or the image brightness will be uneven." (emphasis added)

 

Link to post
Share on other sites

Not sure if it is related, but:

My version IV Metabones was at my vacation home, so I put on an older ASP-C sized Metabones (not sure what model, it just says EF-E mount) with my Canon 16-35 F2.8 lens on my new A7Rii. Worked well (except for the obvious - it cropped the image automatically). Then, I tried my son's Canon EFS 10-18. Took a shot or two ok and then.... It all went down the tubes.

Now, when I try to use the older Metabones, I get either a full black image or an image with black and purple/red horizontal stripes.

All of my Sony lenses work fine on the A7Rii and the Metabones still works on an A7ii and A6000 that I tried it with.

 

Don't know if I somehow damaged something, but I had not made any parameter changes between it working and not working.

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
 Share

  • Posts

    • I'd really like to find a package deal for an a7R (mk I, second generation) which includes the neckstrap and box. I've searched Ebay and currently no one is listing what I'm looking for. They either have the camera only or a first generation a7R and a lot of them don't offer the Sony neckstrap or box it came in. I know your site doesn't have a formal 'Equipment For Sale' thread and granted Ebay is a better place to sell gear but I thought I'd see if any of the members have one and would like to upgrade to a newer model but don't think anyone would be looking for one that old. The cameras I've been using are in the 20 megapixel range and rather than jumping to a 40mp camera due to file size, the 36mp that the first a7R has was appealing to me and wouldn't break the bank. I've been using Canon and Nikon but really want experience a Sony. If a post like this is undesirable for this website, I understand but I thought I would ask. Thank you. 
    • Here's a good thread on the issue.... https://www.dpreview.com/forums/thread/4571046 And here is the info on the A7RIVA that maybe explains why I don't see the issue...  The change in wording that caught my attention is that the new A7RIVA brochure says the structure has been "re-examined and redesigned." Don't know, but given the text of other parts of the brochures are copied word for word, the change in text here seems significant. My reading of this is that it is a redesign of the A7RIV. In that case, perhaps the 200-600 issues are less severe with the new body.
    • I'd opt for a small zoom, but I must admit that there seems to be a dearth of lenses in the e-mount in the 24-50mm range -- for some reason.  I have a small 24-70mm, but that's an a-mount Tamron.  Maybe you can find something by looking at lenses slightly longer.  I have a heavy, but small 24-100mm a-mount, and Tokina made a 24-200mm a-mount.  Maybe there are similar lenses in the e-mount.  Kill three birds with one stone.
  • Topics

×
×
  • Create New...