Jump to content

Recommended Posts

I recently upgraded my aging Nikon setup to this combo and I'm having some concerns about the quality and fit of this combo. As I haven't used a lens this size, this could be down to a lack of experience. So, i'm facing two 'issues' that make me wonder what's going on:

  • There is a bit of play on the mount/connection. I know this is a heavy lens, but each time Iuse the zoom ring, you feel it hit a stop in that direction; turn the zoom ring in the other direction and you feel the same in the other direction. It is very minimal and you can hardly see it, only by focusing really hard on the connection between the lens and body, you can see this happen. I know that they can't lock this into place like a vault door, but i'm worried that this happening constantly will cause a lot of wear and tear on the mount?
  • Another issue (hopefully unrelated) is that I had quite a big piece of something (not dust) on the sensor after a walk. I only have one lens so far, so I haven't been swapping lenses but still something end up on the sensor. The paranoid part of my brain is telling me that the minuscule movement in the first point is creating small pieces to break of and land on the sensor. Or would it be normal for some stuff to travel around and end up on the sensor (after two weeks of usage)?

 

Link to post
Share on other sites

Question 1) In my experience also, some lenses have the tiniest bit of play along the torsional axis. I guess this is normal as the locking pin in the mount is cylindrically shaped rather than conical. Shouldn't cause any wear on the lens/mount because those are metal parts and the play is really really small.

Question 2) The play in the mount does not cause any wear on the lens/mount so shouldn't cause material to come loose. It also does not cause a leak that might let dust into the sensor chamber. Whatever your something was, it'll likely be a one time issue if you don't notice any other loose/broken stuff on your camera/lens. Do note that the risk of dust, debris or muck on the sensor is considerably higher with mirrorless cameras than with your trusty DSLR, as there is no mirror in the way to protect your sensor. Best to train yourself in changing lenses with the mount facing downward to reduce the risk of collecting dust. Also, always bring a rocket blower to get dust off your sensor. Again, use the blower with the mount facing down, so any loose dust falls out of the camera.

Link to post
Share on other sites

As you say, this is a rather heavy lens. You need to support the lens, rather than hold the whole thing up by the camera body - that's why there is a tripod mount on the lens. Otherwise you are putting more stress on the mount - bear in mind, too, that the length of the lens means that there is quite a bit of torque at the mount. Supporting the lens should soothe the paranoid part of your brain 🙂 

I owned an earlier version of the Contemporary version of the lens, and it extended a long way (around 10cm). That level of extension meant that it sucked air into the lens when it extended, and pumped it out again when it contracted. This means that you can get it sucking in dust and some of that will end up inside the camera. I start with a blower bulb before resorting to sensor swabs.

It is a good lens, and very useful for longer shots. 

Link to post
Share on other sites

12 minutes ago, FunWithCameras said:

I owned an earlier version of the Contemporary version of the lens, and it extended a long way (around 10cm). That level of extension meant that it sucked air into the lens when it extended, and pumped it out again when it contracted. This means that you can get it sucking in dust and some of that will end up inside the camera.

Not quite... Lenses usually blow out air the same way they sucked it in. If they suck in from the front, they blow out to the front. There's usually no gap around the rear element that blows air into your sensor chamber. Unless the rear element moves while zooming: then it needs to depressurize the sensor chamber.

Edited by Pieter
Link to post
Share on other sites

10 hours ago, Pieter said:

Not quite... Lenses usually blow out air the same way they sucked it in. If they suck in from the front, they blow out to the front. There's usually no gap around the rear element that blows air into your sensor chamber. Unless the rear element moves while zooming: then it needs to depressurize the sensor chamber.

true

Link to post
Share on other sites

11 hours ago, FunWithCameras said:

As you say, this is a rather heavy lens. You need to support the lens, rather than hold the whole thing up by the camera body - that's why there is a tripod mount on the lens. Otherwise you are putting more stress on the mount - bear in mind, too, that the length of the lens means that there is quite a bit of torque at the mount. Supporting the lens should soothe the paranoid part of your brain 🙂 

I do support it with one hand obviously as I'm sure you can't just hold the body alone 🙂 But still obviously if you hold the lens with one hand, twist the zoom ring while holding the body with your other hand there is some force on the connection; unless you pull/push the zoom obviously.

Link to post
Share on other sites

Was looking around for somthing unrelated and found this thread welcome to Sony! here is a 5 year user braindump.

Sony E mount has been a "okay" system with a decent payload support.

(There grips still have no securing pin like the Minolta 7D and A7/A9 film bodys orignally had and it does wiggle and shear the powder coat off with enough load/use...)

However after using adapted glass from metal adapters to the first party LA-EA3/LA-EA4 & Techart servo adapters and now the MC-11 with my 150-600 EF, the E-Mount metal bayonet does start to bend slightly its not made of anything strong just magnesium alloy, while the mount on the frame of the bodys are pretty reliable the mount on optics and adapters will start to bow ever so slightly after a few years of using the LE-EA4 with the Sigma 24-105 I had to take a hammer to it as heavy zooming was rattling it in the mount slightly, but by hammering out the bayonet around like 0.3mm of bend was corrected it went back to being perfectly tight like new.

Cleaning on bodys however it should be noted take the bottem plate off, if you ever get serious debris in the body it will just fall out with light air puffs and tap the side never shake up/down to get real debris out of sony bodys, if it lodges into the IBIS or shutter thats 100USD in parts and a 2~3 week wait from Aliexpress not a fun experance but shims can come lose if the body is knocked hard enough.

Airblower is your best friend with mirorrless though, you can use clip-in filters if you need to isloate the sensor chamber from debris or fluids but these can cost optical issues in some cases but not many.

Cleaning lenses, use swabs & 99.9& IPA on the mounts people forget how much stuff builds up on them, then falls into the body/lens if there is no gasket rubber bands are your friend in very dusty situations.

Cleaning fluid is kinda a scam, really the coatings on the optical filter stacks (the glass that sits on the bare sensor) are ment to be cleaned off with 99.9% IPA as stated in the level 2 service manuals which everyone really should read if you go and buy a 2k+ value mechanical device lol, they are built like legos and use all standard phlips screws made to be human serviced with a layered build hence why the headphone ports are in the place they are now easy to swap out in the field in 10min or less.

Link to post
Share on other sites

The sensor on DSLR cameras were given no protection by the mirror as this has gaps either side of it where dust could get past. The sensor was, however, protected by the shutter which was closed. You can set the shutter to close when you turn the camera off on the A7 IV and I would advise that you set this option. You should always turn the camera off when changing lenses as the charge on the sensor is a magnet for dust.

The item to set the shutter to close is on the setup menu, item 12 setup option, Anti-Dust Function, Shutter when Pwr off.

As for the slight movement, this isn't that unusual as the tolerances can vary slightly in manufacturing. I have never experinced any wear showing up on any camera that I have used as a result. 

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Posts

    • Wow, we have two distinctly different trains of thought. I'm not sure how valuable my advice will be, just consider this something to toss around in the back of your mind. First off, I hate rangefinder style bodies, never could get on with them. The decision of whether to go with a full-size body wasn't even in play. The difference when looking at size comparison photos is considerable, the difference in practical use is minor. About the only time I can think of that it may be beneficial is street if you want to conceal yourself a bit.  Lenses: Size and weight don't bother me near as much as inconvenience. Who in the heck wants to be changing lenses all the time? I take a short zoom, a long zoom, and a medium-wide fast prime for indoors. That's it. I am hoping Sigma's 20-200 set to be released tomorrow isn't a turd, if it's decent it will replace my 24-105.  If I were to go on a trip today, my setup would be: A1 70-200/2.8 GM II 24-105 Samyang 24/1.8.  If I was feeling it, I might add the 2X TC for the GM II, but I doubt it'd even get used.  An alternative to the 70-200 + TC would be the Tamron 50-400.  BOTH of these setups fit nicely in my Tenba Solstice 10L Sling.  So, I would say yes. Trade up to the A7R V. Definitely get the 24-70, or maybe the 24-105 for more range. You don't need 2.8 for your described subject matter.  As an aside, I never, ever, ever shoot in crop mode. Why? Well, I can do the exact same thing in post on my computer. They're both just electronic crops. I end up with a lot more information that way, and who knows, if I'm going to crop anyway, maybe there's a better composition hidden in the full frame image that I didn't see when I made the shot? Much easier to remove content than to add it.  
    • Hi all, For about the last 1.5 years I've been using the Sony a7CR combined with the 24-50mm f2.8 G lens as one of the lenses that basically lives on my camera. Besides this I have the following lenses as well: Sony 16-25mm f2.8 G Sony 14mm f1.8 GM Sony 40mm f2.5 G Sigma 85mm f1.4 On my last travel I took the above mentioned lenses with me + the 24-50 G. Would have most likely taken the Sony 14mm f1.8 GM but I didn't own this yet at the time. For my next travel I do want to take this as well so then my setup would look like: Sony 24-50mm f2.8 G Sony 16-25mm f2.8 G Sony 40mm f2.5 G Sigma 85mm f1.4 Sony 14mm f1.8 GM At this point I feel like I'm kinda reaching a bit of a limit in terms of lenses I want to take with me during travel, especially the 85mm. I wish to use it more but noticed I often left it at the hotel/apartment room I was staying at. Initially I bought the a7CR for weight savings but as time has passed I do feel certain limits with the setup especially during travel/landscape (as this is my main form of photography). And that's mainly coming from the amount of lenses I'm taking. I have been considering to trade in the 24-50 G lens to the 24-70 GMII to use on my a7CR but after using my Sigma 85mm f1.4 for an extended time on my a7CR it does feel uncomfortable to use due to the front heavy nature of the setup. The 24-70 GMII would be about the same weight as the Sigma. One option would be to use the extended grip on my a7CR, this certainly makes handling a lot better of bigger lenses but I usually have my setup hanging from the Peak Design Capture Clip on my backpack and I'm not sure if the extended grip really designed to take this much weight to be fair. Maybe anyone here has experience with this? So what this leads me to was the consideration to upgrade to the a7RV + Sony 24-70 GMII as there are some good trade in deals going on right now where I'm at. I'm not sure is this setup an absolute overkill for a hobbyist photographer... :) The benefits of this upgrade would be to have less need for changing lenses during travel and reduce the amount of separate lenses I have to take with me. The overall weight would however be approx. the same that goes in my backpack. Usually when I'm out for hikes I will currently only take the 16-25 & 24-50 with me. With this setup the reach feels limiting even with cropping the 50mm to 75mm (still approx. 26MP on the a7CR after crop). What I usually use my setup for: Landscape photography Travel Portrait Astrophotography I was wondering is there anyone here who went from a lighter a7CR (or similar) setup to a slightly heavier setup to carry around during hikes etc. Did you regret it or was the tradeoff worth it? As mentioned I do feel like my current setup is somewhat limiting and realized that switching lenses during travel is an absolute pain in the ass. But I'm not sure if the extra 450gr (about 1 lb) is worth the tradeoff. I know the decision is ultimately up to me but just like to hear your thoughts on this upgrade, and if the additional features & image quality in trade for weight would be worth it as well. TL;DR: Looking to upgrade my a7CR 24-50G f2.8 setup to a7RV with 24-70GMII f2.8 lens, not sure if it's worth it with the additional weight in trade for more versatility and better IQ. Thanks in advance for your replies!
    • I got one tuned up pretty well last year. I don’t remember exactly after doing a 77ii not too far apart that was different. The a68 was faster and more accurate but color profile was more work to tune btw. profile/style set to clear and highest sharpness allowed + micro focus adjustments per lens if I remember right. And any of these fall apart fast in low light or slow lenses. 
  • Topics

×
×
  • Create New...