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  1. This lens has been dubbed, I don't remember by what famous photographer, the "water lens" for the way it treats the out-of-focus areas. It is quite sharp straight on from f/2 (but there are sharper lenses out here at that aperture) and becomes really really sharp stopping down. At least on my sample there is a super-correction of the borders at f/4: this means that the center is less sharp than at f/2, but the borders are sharper than at f/8 and almost as sharp at f/11. This lens is the twin of the Leica Summicron-C 40/2; what changes is the exterior of the lens, that in the Leica version sports a 39mm not-standard threading filter ring, while the Minolta uses 40.5mm filters. Also, rumors have that the Minolta version is multi-coated, while the Leica version is not. I don't know if that's true, but like you can see I've had no trouble even shooting straight into the light. "Tasso" forest ("Beaver" forest), Italy "Fossiata" forest, Italy
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