Jump to content

Recommended Posts

Hi all, newbie question so apologies if this has come up before (although I couldn't find it when I searched)

 

I have an A77ii and a Nissin i40 flash, both with the multi interface hot shoe. This is my first flash head and I want to know what options are available for using the flash off camera, either wired or wireless. Ideally without additional adapters. The flash head doesn't have any ports so I was thinking of a cable from the camera (either PC port or from the hot shoe?) to the shoe on the flash. Or a wireless trigger. Nissin do one for a different flash but not the i40.

 

Grateful for any advice you can give me, and whether the different options allow HSS / TTL

 

Thanks

Chris

Link to post
Share on other sites

Guest Peter Kelly

Unfortunately there aren't any TTL options for remote working with that flash. Some triggers might work for HSS but it will be on manual and I can't swear to it. In any event you will have to buy some extras, as there are no external ports for direct wire sync.

 

The simplest would be an optical slave trigger, such as http://www.electronicsfirst.co.uk/search.asp?find=Slaves, but this is fully manual.

You can get kits from Phottix, Pocketwizard, Yongnuo, and Pixel, amongst others, but they can be expensive.

 

Probably the cheapest and most effective off-camera flash for the Sony is the Nissin Di700 with Air Commander. This will give you all the options mentioned and, in my experience, is very reliable and easy to set up.

The biggest pain is that the commander isn't compatible with the i40...  :( 

Link to post
Share on other sites

You need 2 units of Sony FA-CS1M: Flash shoe to cable ( and you can still have a flash on top of the shoe)

15745551316_4eeb8449b6_b.jpg

 

15583407599_07146dba8d_b.jpg

 

Minolta Cable CD ( or Sony FA-MC1AM ) cable from shoe to other shoe below flash which allows a distance of approx 1m

14473188891_c40d5e55e5_b.jpg

 

Minolta Cable EX ( or Sony FA-EX1AM ) for further extension of another 1m ( Minolta suggested that you do not use more than 3 in one line )

14453458416_7eaca6b459_b.jpg

 

Option to replace the first FA-CS1M on camera

Minolta OS-1100 cable ( or Sony FA-CC1AM )

14289951368_e0e9434806_b.jpg

mounted on this Sony ADP-MAA adapter

15584081167_9467232d8c_b.jpg

15770791122_5f2440333e_b.jpg

 

To connect up to 3 flash units this way, you would need to add the following plus other cables EX for each line of flash you want to add

Minolta TC-1000 (or Sony FA-TC1AM) But not the older but similar Minolta Triple Connector

14453443986_bfd65fa746_b.jpg

 

Once you see the prices of all of these you will realize that you could afford a Sony HVL-F43M flash (or a F32M) as WL controller and by simply adding older used flashes from Minolta 3600HS(D) or 5600HS(D) or Sony HVL-F36AM, F56AM, F42AM, F43AM, F58AM or F60M, would have cost you the same or less with more flexibility.

Link to post
Share on other sites

Peter, Michelb, thanks so much for your full and helpful replies, exactly the information I needed. I had seen some of those connectors but wasn't sure which I needed and they did look expensive so didn't want to splash out on the wrong thing. Does look like a second flash might provide a better option in terms of flexibility / value for money.

 

Thanks again, much appreciated

Chris

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Posts

    • It seems entirely reasonable that they disable a video mode that requires a bit rate faster than any standard SD card can manage to an SD card (SD cards can be rated V30, V60, or V90) - if you try to record a video mode that would require something faster like a "V200" card then they don't let you.  OK, you have some non-standard hack that pretends to be an SD card, but records faster - seems perfectly sensible that they don't support it considering they look at the card to know how fast a rate the card can handle.  Pretty sure that Sony is protecting users who try to use a slow SD card to record a video mode that requires more speed than the card supports, and Sony has the camera say "you can't do that" rather than fail dismally to try to record it - can you imagine the complaints if the user got a recording that stuttered and captured a few frames then a gap then a few more frames? Feel free to complain, but don't expect sympathy. You tried  something that isn't supported, and it didn't work. As far as I know, Sony cameras are the only ones that support two different formats of cards, AND let you have two matching cards of either format. Every other camera that supports two formats has one of each. There are quite a few cameras that support two matching slots, but they only support one format of card (eg: the Z9 support two CFexpressB cards), so you don't have the option of a second format. I like the flexibility - I don't have have enough CFeA cards to cover everything - I can use CFeA for some and SD for others. Yes, CFexpressA cards were fairly expensive in the beginning (back 4 years ago in the A1), and I paid a fair bit for a Sony 180GB CFeA card. But a few years later I spent the same amount for a Lexus CFeA 320GB card, and just recently I spent almost exactly the same amount for a Prograde 480FB CFeA V4 card (which is over twice as fast to load into the computer). The price falls as there is more competition. Interestingly, measurements have shown that cameras like the Z9 cannot write at full speed to their CFeB cards (presumably because they get really hot - they write only as fast as CFeA speeds 🙂
    • If I press record when holding the camera vertically the video will be saved in 9:16 instead of 16:9 and I can't fint any option to disable that feature? It is really annoying having thumbnails being flipped 90 degrees in the editing software as well as having to flip the clips on the timeline. It is also very annoying that it is flipped when previewing the clip both in editing software but also in any media player. It happens really often when doing run and gun video (documentary style).
    • The picture profiles DO NOT affect RAW files. That's been said three times now. Even if RAW is affected by gamma, your custom settings don't affect each other, they aren't global.  Let's back up a bit. First off, which camera are you using? My A7 IV and A1 both have the ability to have completely separate profiles for video and stills.  Why can't you simply set up your video button with the settings you want and just push it? That's what I do. I can be shooting stills and if I decide to shoot video I just press the button. No need to move any switches or press any other buttons.          
  • Topics

×
×
  • Create New...