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  1. Hello everyone, I hope someone who owns the Sony A7 IV can answer me objectively. I only make documentaries in 4K around the world and I don't take photos. I never use the tripod and everything is freehand. I would like to know if the Sony A7 IV has a good stabilizer to be able to do this. I am selling from a GH5 that has an unbeatable stabilizer. Then, the zoom lens that comes with the Sony Alpha 7 IV as a kit, does it work well? I mean the FE 28-70mm F3.5-5.6 OSS. 1000 thanks for your kind info.
  2. Sony finally presents the Sony A7 IV, the successor to the basic model of the Sony A7 series. It is to be launched on the market in December and will cost €2,800 / £2,400 / $ 2,498. Already available for pre-order at B&H! Sony A7 IV At A Glance Newly developed 33MP sensor BIONZ XR processor 15+ stops dynamic range 10 fps continuous shooting speed Buffer for up to 830 JPG+RAW Max sensitivity ISO 204,800 Eye AF, Animal Eye AF Focus Map visualises focus planes EVF w/ 3.69 MP and 120 fps frame rate 4k30 video oversampling from 7K 4k streaming (and FHD 60p streaming) S-Cinetone, 10-bit 4:2:2 HLG, All-I XAVC S-I, S-log3 Image stabiliser w/ 5.5 EV 5GHz Wi-Fi USB 10Gbps live streaming Battery capacity 610 shots Body design like A7 SIII Swivel display Switch between photo, video and "Slow & Quick" mode Improved touchscreen functions UHS-II SD and CF Xpress Sony A7 IV Images Press Release: Sony’s ALPHA 7 IV goes beyond ‘Basic’ with 33-Megapixel full-frame image sensor and outstanding photo and video operability 21 Oct, 2021 Sony also launches two new flashes to evolve powerful Alpha Lighting System Sony today announced three new additions to its imaging line-up — the interchangeable-lens camera ALPHA 7 IV with newly developed 33- megapixel (approx., effective) full-frame image sensor and two new flashes, the HVL-F60RM2 and HVL-F46RM. The ALPHA 7 IV takes ‘basic’ to the next level for full-frame cameras with excellent image quality and performance, redefining the original standard set by the Alpha 7 III. The new model features many of Sony’s most advanced imaging technologies including the latest BIONZ XR™ processing engine and advanced AF (autofocus) capabilities based on the flagship Alpha 1 model, combined with streamlined operability and enhanced reliability for photos and movies, making it the perfect all-around camera for today’s imaging enthusiasts and professionals who shoot all scenarios. The ALPHA 7 IV also boasts 33 MP resolution, rich movie expression and various features to support the growing demand for remote communication, bringing new meaning to what a ‘basic’ camera can accomplish. “With the introduction of the Alpha 7 III, we set the baseline for what full-frame cameras should deliver and now it is time to redefine those boundaries,” said Yann Salmon Legagneur, Director of Product Marketing, Digital Imaging, Sony Europe. “The ALPHA 7 IV brings together the best of Sony imaging technology to deliver a fantastic experience in both stills and video, meaning that users will be able to capture exactly the content that they want, in whatever situation they find themselves in.” ALPHA 7 IV: Innovation never ends The new ALPHA 7 IV is the ultimate hybrid camera packed with outstanding still image quality and evolved video technology with advanced autofocus, enhanced operability and workflow capability. The model was also developed with environment in mind by using Sony’s original recycled plastic SORPLAS™ for the camera body and the packaging with recyclable[i] materials and less plastic. Outstanding image quality With a newly developed 33MP full-frame back-illuminated Exmor R™ CMOS image sensor, superior image quality and Wide ISO sensitivity range expandable to ISO 50-204800 is achieved. The high resolution enables the camera to express smooth gradation, fine details and textures of the subject while reducing noise. Its 15-stop dynamic range allows a wide expressive range while Creative Look settings can help to create original looks effortlessly for both stills and video. Next level AF performance The latest processing engine BIONZ XR™ used in the flagship Alpha 1 delivers high-speed AF, uninterrupted continuous shooting at 10fps[ii] with AF/AE tracking and a large buffer for a smooth shooting experience. ALPHA 7 IV tracks subjects with tenacious Real-Time Tracking and 759 phase-detection AF points in a high-density focal plane phase-detection AF system that covers approximately 94% of the image area. Additionally, for the first time, Real-time Eye AF can now track birds and animals’ eye for both still images and movies, in addition to humans. The detection accuracy for human face and eyes is also approximately 30% more improved, compared with Alpha 7 III. Evolved movie technology The ALPHA 7 IV inherits technology taken from real-world movie production including S-Cinetone™ – adopted from Sony’s highly regarded Cinema Line cameras used by a broad range of filmmakers and content creators – to deliver a rich, cinematic look. High quality movie is achieved with 4K 60p recording in Super 35mm mode and up to 4K 30p recording with 7K oversampling in full-frame mode. The new camera also features 10-bit depth 4:2:2 colour sampling to enable natural gradation, XAVC S-I™ intra-frame encoding for more efficient editing workflows and XAVC HS™ for doubled compression efficiency. To meet the growing need for precise AF performance when shooting videos, unique AF features are achieved when using the ALPHA 7 IV with a Sony E-mount lens, including AF Assist[iii] that supports focus transitions when using AF and Focus Map that visualises depth of field. For the first time in the Alpha series, the new camera features Breathing Compensation[iv] to combat focus breathing and maintain a consistent angle of view throughout focus changes and can be switched on or off. Advanced operability as a genuine hybrid model The ALPHA 7 IV is a hybrid still and movie camera with outstanding operability and reliability that easily allows the user to switch from photo to movie and back at their convenience. New to Sony’s line-up of Alpha cameras is a dual layer mode dial with the lower layer for selecting Still/Movie/S&Q and the top layer for Auto/P/A/S/M and MR (Memory Recall), enabling users to quickly select and switch between the dedicated settings. It also has 5-axis optical in-body image stabilisation for a 5.5-step[v] shutter speed advantage, as well as an improved grip for greater comfort and a CFexpress Type A compatible media slot to support media with faster writing and clearance. Additionally, the 3.68 million-dot (approx.) OLED Quad-VGA viewfinder is 1.6 times the resolution of the Alpha 7 III viewfinder, allowing users to benefit from the upgraded live-view image quality that minimizes false colour and increases resolution. Videographers can record 4K 60p 10-bit 4:2:2 video continuously for more than an hour thanks to the camera’s heat-dissipating structure. Optical ‘Active Mode’[vi] image stabilisation helps optimum video shooting. They can also benefit from the 3.0-type 1.03 million-dot (approx.) side-opening vari-angle touch-panel rear LCD monitor, top-panel REC button and high-capacity Z-series battery. The ALPHA 7 IV body is built with magnesium alloy to achieve a robustness while minimising its weight. In addition, the redesigned structure and lens lock button contribute to enhanced dust and moisture resistance.[vii] Enhanced workflow capabilities By offering a variety of connectivity options, the ALPHA 7 IV enables on-the-spot streaming and sharing of high-quality content to meet the growing need for remote communication in real-time without sacrificing excellent image and sound quality. The connection between the camera and mobile application Imaging Edge Mobile™[viii] is simplified via Bluetooth, and fast data transfer is possible by 5 GHz/2.4 GHz Wi-Fi. The camera also has a new feature called “Shot Mark” to enable easy access to the marked scenes in a video clip, within camera and on Sony’s Catalyst Browse/Prepare applications.[ix] What’s more, the camera has a range of new features to support live streaming and remote communication without the need of dedicated software. UVC (USB Video Class) and UAC (USB Audio Class) turn the ALPHA 7 IV into a high-performance live streaming camera when connected to a computer or smartphone. High image quality such as 4K 15p and 1080 FHD 60p deliver realistic video for remote sharing and the ALPHA 7 IV’s digital audio interface can be paired with a range of mics and accessories to deliver high quality sound. Finally, Sony plans to offer a new cloud service, “AI Video Editing Studio”, for automated editing with AI technology. To allow creators to focus on more creative tasks, “AI Video Editing Studio” automatically performs initial editing in the cloud, using AI technology. Sony will continue to strive to offer a wide variety of imaging experiences and services through the active integration and advancement of cameras, cloud, and AI. Designed with the environment in mind According to Sony’s environmental efforts based on the “Road to Zero“, environment was an important factor in the development of ALPHA 7 IV’s design, production and packaging. The camera uses recycled plastic, SORPLAS™, which does not depend on non-renewable resources and is produced at the sites using renewable energy such as solar power generation. The product packaging also adopts recyclable[x] plastic-reduced materials. HVL-F60RM2 and HVL-F46RM: Powerful flashes to evolve Alpha Lighting System The HVL-F60RM2 with GN 60 and 20-200mm[xi] coverage and HVL-F46RM with GN 46 and 24-105mm[xii] are powerful wireless flashes that offer precise control, enhanced high-speed and intuitive operability. They are designed to meet the needs of both professional and advanced content creators when shooting with a Sony Alpha camera, including the ALPHA 7 IV, to offer the ultimate Alpha Lighting System by the detailed communication between cameras. Both flashes have upgraded continuous shooting flash performance, up to 200 times at 10 frames per second[xiii] for the HVL-F60RM2 and 60 times for the HVL-F46RM. The optimised flash algorithm ensures both flashes are overheat-resistant, and a set of four Ni-MH (Nickel-metal hydride) batteries can power up to 240 flashes with a 1.7 second recycle time for the HVL-F60RM2 and up to 320 flashes with a 2.0 second recycle time for the HVL-F46RM[xiv]. When used in combination with an Alpha camera, they allow users to experience the unique communication and system benefits of the Alpha Lighting System. For example, with the ALPHA 7 IV, P-TTL flash control metering for every frame in Mid, and Hi continuous mode has become possible in addition to Lo continuous mode. The flash release time lag is also shortened to capture momentary facial expressions and movements of the subject. With the Alpha 1, the HVL-F60RM2 achieves a phenomenal up to 20fps of continuous shooting[xv] and approximately 20 flashes per second can be produced for more than 10 seconds with the external flash battery adapter FA-EBA1. When Alpha 1 is used with Sony’s flashes including HVL-F60RM2 and HVL-F46RM, users can sync up to 1/400 second shutter speed to expand expressive capabilities when shooting in full-frame mode. In addition, with the silent electronic shutter of the camera, silent flash shooting is possible when absolute silence is required. Other system benefits of HVL-F60RM2 and HVL-F46RM with an Alpha camera include: -Flash parameters controlled directly from the menu of a compatible camera[xvi] -Flash control linked to camera face detection[xvii] -Automatic correction of white balance based on the colour temperature information from the flash Both flashes also feature improved robustness and operability. The Multi Interface shoe with Sony’s unique metal shoe foot with rugged side frame significantly increases strength and reliability. Shoe sealing helps the flashes to be more dust and moisture resistant.[xviii] The HVL-F60RM2’s original rotating head mechanism, “Quick Shift Bounce” that enables flexible positioning and optimum lighting control has also been improved to prevent unintended change in the bounce angle. They support wireless radio communication and can control up to 15 flashes and/or receiver units in 5 groups via wireless radio communication for enhanced lighting control versatility. Pricing and Availability The new ALPHA 7 IV will be available in December 2021, at a variety of Sony’s authorised dealers, for an estimated retail price of £2,400/€2,800 for body only and £2,600/€3,000 for lens kit (SEL2870). The accessory VX9518 (PCK-LG2) Screen Protect Glass Sheet will be available at the same time. The camera is also compatible with the Camera Remote Software Development Kit (SDK). The HVL-F60RM2 flash will be available in November 2021, at a variety of Sony’s authorised dealers, for an estimated retail price of £550/€650. The HVL-F46RM flash will be available in November 2021, at a variety of Sony’s authorised dealers, for an estimated retail price of £370/€430. For more information visit: https://www.sony.co.uk/electronics/interchangeable-lens-cameras/ilce-7m4 https://www.sony.co.uk/electronics/interchangeable-lens-cameras-flashes-lights/hvl-f60rm2 https://www.sony.co.uk/electronics/interchangeable-lens-cameras-flashes-lights/hvl-f46rm A variety of exclusive stories, videos and exciting new content shot with the newest cameras and other Sony products can be found at here . Sony’s European photography hub is available in 22 languages and details product news, competitions and an up-to-date list of Sony events in each country. Product video on the new ALPHA 7 IV, HVL-F60RM2 and HVL-F46RM can be viewed here. [i] This product packaging is recyclable only in the communities that have appropriate recycling programs. [ii] Up to 10 fps in continuous “Hi+” mode, or up to 8 fps in continuous “Hi” mode. Continuous shooting speed may vary depending on shooting conditions. Sony tests. [iii] Not available when using the SELP1650, SEL18200LE or A-mount lenses. [iv] Angle of view and image quality may change slightly when this feature is turned ON. Breathing compensation is not available for unsupported lenses, 120/100p movie recording, S&Q recording at 120/100p, or stills. For the supported lens, please check here [v] CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off. Still-image mode. [vi] Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200mm or longer. Active mode not available when recording at 120 (100) fps. [vii] Not guaranteed to be 100% dust and moisture proof. [viii] Ver. 7.6 (to be released soon) or later. [ix] Supported in Catalyst Browse/Prepare Version 2021.1 or later. [x] This product packaging is recyclable only in the communities that have appropriate recycling programs. [xi] 35mm full-frame equivalent. [xii] 35mm full-frame equivalent [xiii] 1/32 flash output level using Ni-MH batteries [xiv] When using Ni-MH batteries. Sony tests [xv] Alpha 1 electronic shutter in continuous Hi+ mode. Flash output level manually set to 1/32. [xvi] Visit Sony support webpage for functional compatibility information. [xvii] Visit Sony support webpage for functional compatibility information. [xviii] Not guaranteed to be 100% dust and moisture proof. Dust and moisture resistance will vary also according to the body to which the unit is attached.
  3. Hi, just wondering if anyone can help. Is it possible to turn off the beep in the self timer mode on the A7iv, really struggling. Thank you.
  4. I'm a late-comer to the A7 series, having just purchased an A7 IV (I have had A77 and A99 a-mount cameras for years, and they have both served me very well, but the time came to upgrade). One of the features I really valued in them both was the built-in GPS function. Using the "maps" facility in Lightroom allowed me to easily track where images had been captured, anywhere in the world. I found this particularly useful for post-trip story and blog production, especially for images captured in remote places such as the Himalayas. I had always assumed that the new A7 series would carry this function forward, and when considering the purchase of the A7 I didn't even bother to research that. Not so, it seems (or if they have, it's well buried). It seems that the only way to capture GPS data is to link the cameras to one's mobile/cell phone, and use the phone's location data to embed into an image. That's convoluted enough in itself, and I'm not even sure that I've set it up correctly. Which prompts a series of questions: am I right in saying that the camera itself does not capture GPS/location data, and that the only way to do so is via one's phone? if so, does this still work when working in remote places (such as the Himalayas), where phone coverage may be non-existent? does this system cause additional battery drain in either phone or camera? depending on the answers to the above, is there another workaround - that is, a way of capturing this data which is recognisable by Lightroom? and lastly, if there is a workaround, and it involves something other than Lightroom, what might that be? Many thanks in advance ...
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