Capture One Pro 8 Film Simulations

[Gilgenberg]

thanks to fleckintosh

 

who was so nice to post at the fuji x forum

 

the ICC Profile that emulate the Fuji Film simulation from the XT1

 

provia, velvia, classic chrome,....etc

 

http://www.fuji-x-forum.com/topic/1631-capture-one-pro-8-film-simulations/

 

it is possible to use them with other cameras as well

 

here is a workaround for mac users to use it with Sony A7, NEX-7, etc

 

1. download the emulation ICC Profiles from the fuji x forum

 

2. rename the ICC Profiles ...... for example   .......from...... "FujiXT1-Classic Chrome Adobe RGB.icc" to "SonyA7-Classic Chrome Adobe RGB.icc" or "SonyNEX7-Classic Chrome Adobe RGB.icc" or.......

 

3. copy the ICC Profiles to: Capture One/Contents/Frameworks/AppCore.framework/Resources/Profiles/Input

 

reboot capture One and have fun

 

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[Adrien Le Falher]

ICC profiles need a specific input to work correctly... Sure, you can use the ICC with this hack, but it won't give you the same results at all... The ICC is just simple math: for a specific real color, it knows how the color will be captured, and this captured color is transformed to one chosen in the ICC to ressemble what Velvia (for example) would look like when the real color has been captured. 

 

However, Sony and Fuji have radically different sensors, therefore the same shade of real green won't render the same, and the colors in the ICC will be off...

[Gilgenberg]

yes that is correct Adrien

 

as Fuji emulates a analog film with digital processing

 

you can not expect to have the same result as the real analog film

 

but it is fun and the output is pleasing and helpful 

 

and as fleckintosh said the fuji emulation and the ICC capture one pro emulation is very close:

 

"The profiles work very good for me. I compared with ooc images (Same RAW) and noticed just very little differences. Very little. "

[Gilgenberg]

sorry !

 

fleckintosh´s statement was relating to a real XT1 

 

so yes the output on a A7 will be a little different

 

but i can not see any difference between A7 and Nex-7 so we should not expect to have the same emulation 

 

but as I said the root is the real film so we have to adjust a little bit, with grain and curves and....

 

so on the end we don´t want it to be the real thing...we like to have it.... so that it is great ......and we like it

[FDP]

Can someone post these profiles on this forum so I don't have to register for another forum to download?

 

3D LUT transforms can be multiplied together, so if someone had both the XT1 and an A7/S/R/RII and a color chart they could in theory create a LUT to convert between the XT1 and A7 sensor, then just multiply that LUT by these film profile LUTs to get an accurate result for the Sony cameras. If anyone has a Macbeth chart and these cameras I could help with creating such a transform (here's a quick tutorial on how they work: http://wolfcrow.com/blog/how-to-use-the-dsc-labs-oneshot-x-rite-colorchecker-or-datacolor-spydercheckr-with-davinci-resolve-to-match-color/)

 

Also, if anyone is interested in the workflow for accomplishing this, you can use Davinci Resolve (free) and/or the software sold for incredibly reasonable prices on this site (http://www.brizsoft.com/lut-converter/).